Getting a Tattoo

Getting a Tattoo

1.1     Does it hurt?

1.2     What about anaesthetics?

1.3     Should i get a tattoo in the first place?

1.4     *Why* do I want one?

1.5     Religious (christian) arguments

1.6     A temporary alternative?

1.7     The decision process -- making the big plunge: whee can i find a good artist, and what should i look for in tattoo artist?

1.8     What images do you think of when you think of a tattoo?

1.9     What kind of colors can i get?

1.10How to look around in the shop?

1.11Asking to see their portofolio

1.12What to look for in their portofolio?

1.13What kind of questions to ask?

1.14What sorts of things to look for in shop

1.15R-E-S-P-E-C-T: What to ask from artists?

1.16Re tattoo shops insured?

1.17How much does it cost to get a tattoo?

1.18How should i act when i get in that chair?

1.19Where on my body should i get a tattoo?

Does it hurt?

This is the first question in this FAQ because it’s usually the first question that people ask. The answer is yes. Having needles pierce your skin *does* hurt. But what you *really* want to know is, “How MUCH does it hurt, and can I handle it?”

Does it hurt?

This is the first question in this FAQ because it’s usually the first question that people ask. The answer is yes. Having needles pierce your skin *does* hurt. But what you *really* want to know is, “How MUCH does it hurt, and can I handle it?”

It’s not nearly as bad as what you might imagine. The pain comes from the cluster of needles on the tattooing machine piercing your skin very rapidly. This sensation, however, doesn’t feel like the poking pain of an injection--it’s more of a constant vibration. You will be amazed at how quickly your body releases endorphins, (pain killers), which dullens the pain significantly.

The pain will also vary according to where on your body you get worked on. Skin right above bones (collarbone, anklebone, etc.) tend to be more painful than other areas. In addition, certain types of needles seem to hurt more than others. I person­ally think the needles used for outlining produce a sharper, more noticeable pain, while the needles used for shading seem to be much more like an electrical buzz (nearly painless).

Remember, you are volunteering for the experience. The amount of pain will de­pend on your psychological attitude.

NOTE: Do not drink alcohol or take illegal drugs for pain relief purposes prior to your tattoo sessions. Both aspirin and alcohol thin your blood and promote exces­sive bleeding. Aspirin also decreases the clotting of blood, which will slow down your healing as well. In addition, artists do not appreciate dealing with drunks and is illegal in many states.

What about anaesthetics?

Some people say that taking a couple of over-the-counter analgesics before tat­tooing can take the edge off the pain. Acetaminophen, commonly sold under the brand name ‘Tylenol’ is generally recommended, but not aspirin, ibuprofen, or oth­er NSAIDs, as they tend to inhibit clotting. In short, you may find yourself bleed­ing like the proverbial stuck pig. There *are* actually topical anaesthetics available, even in the stick-up-its-butt U.S. For instance, Bactine contains some lidocaine, and it is possible to buy benzocaine preparations over the counter. The drawback of these is that they do not work on unbroken skin, but if they are applied after the first pass with the needle, they *can* make a tremendous difference. EMLA is reput­ed to be much better, and will work on unbroken skin, but it is not generally avail­able in the U.S.

Should i get a tattoo in the first place?

Your reading this may mean you’re already interested in getting a tattoo, or may know someone who is. In a survey of 163 tattooed men and women, a third of them had regretted their tattoos! While most of this FAQ discusses the process once you’ve decided to get one, let’s pause for a moment.

*Why do I want one?

People get tattoos for different reasons. Is it to please your partner? Is it because you want to belong to a group that has tattoos? Do you identify with a certain sub­culture known for tattoos? Do you want to show your independence, individuality or uniqueness?

These are all valid reasons, and why many people get tattooed. However, because of the permanency of your tattoo, try to look at yourself in five, 10, or even 20 years. What will you be doing at that time? You might be a free-spirited college student now, and a web of vines on your wrist would look really lovely. However, are you planning to work in a very conservative field after you graduate? Will others look at your tattoo in a bad way? Will you have to hide it with long sleeve shirts? Are you *willing* to wear long sleeve shirts if the environment is negative?

Do you want a tattoo of a tiger because your partner’s nickname is “Tiger,” and you love the way s/he scratches your skin? Do you think you’ll be with this person in five years? If not, how will you look at that tattoo? With fond memories, sym­bolizing a special period in your life? Or a shameful or painful reminder of some­body who hurt you and didn’t care for you?

You’re a headbanger (or a nose-smasher, ear-bopper or whatever) and you *RE- ALLY* want a tattoo all over your arms just like Axl Rose, but you can’t afford a professional artist so you get your friend with the mail-order tattooing machine to do those designs for you? Or perhaps you get spider webs tattooed all over your hands (or your face, which has happened) because you want to be “different” in school. What if you decide to “straighten out” and get a real job; train as a chef or something, and then no restaurant hires you?

...Maybe tattooing isn’t for you.

...Maybe you shouldn’t get that $10 tattoo your friend’s been telling you he’ll give you, in his garage.

...Maybe you shouldn’t let your buddies tattoo your hand with India Ink and a needle at this weekend’s party.

...Maybe you should get a tattoo on your back instead of on your hand.

...Maybe you should get a tattoo on your left wrist so it can be covered by your watch if you have to...

...And maybe after reading this FAQ, you’ll think carefully about it, and make some informed, wise decisions about what to do with your body.

*Tattooing can be beautiful.*

*Tattooing can be exhilarating.*

*Tattooing can open a whole new world for you.*

...but make sure to do it *RIGHT*.

Religious (christian) arguments

A word to the religious: In Leviticus 19:28, it says not to tattoo “I am the Lord” on you (i.e. don’t take the name of the Lord in vain). It does NOT say you can’t mark yourself at all, and it does NOT say there’s anything wrong about piercing. What it DOES say is that it prohibits mutilating yourself for the dead, which was a sense­less practice at that time. But for Christians, they are no longer bound by the Law. Remember that it’s not what you do; it’s what’s in your heart when you do it. The Talmud even mentions that it’s not the tattooing that is wrong, but what the tattoo is of (i.e. if the tattoo is an image of a ‘false god’ as opposed to just a ‘design’).

There are probably many ‘prim & proper’ Christians out there that have had the urge to be tattooed, but have repressed it because they believed it was a sin. Well, if you really believe that it is a sin, then it is. But is getting tattooed really a sin? If it draws you away from Christ or causes someone else to stumble, then yes. But tat­tooing isn’t any more special than anything else we distract ourselves with.

Take things in moderation at your speed. We are to deny ourselves of things if they cause us to lose sight of Jesus (for some, it could be driving a car, getting married, having children, going to work, smoking, abusing drugs & alcohol, disrespect, etc.). If you have good discernment, you know what distracts you from Christ and what doesn’t.

Tattooing isn’t inherently evil; it got it’s ‘evil’ status because GOD-less heathens from places like the South Pacific were tattooed. Do what pleases GOD; and one thing that pleases GOD is to be confident in oneself (not overly prideful, but confi­dence tempered with discernment, almost bordering on arrogance). Tattooing can bring out that confidence, because to be tattooed requires commitment.

And that’s a conquering power over fear and old ruts. GOD wants mature dynamic individuals that fear him to fellowship with, not people cowering in fear from some rigid set of laws. Note: fear of GOD is totally different from cowering in fear.

Some Christians will claim that drinking any amount of alcohol is sinful, but the medical community is saying that 2-3 drinks a day is good for the heart. Drink re­sponsibly. So, for those that have repressed getting a tattoo because of family or re­ligious upbringing, just do it. If it’s not for you, fine--but don’t ruin it for the others.

Tattooing in no way marks who’s saved and who’s not. If you’ve seen the trilogy “A Distant Thunder,” the Mark of the Beast was tattooed on your right hand or fore­head. The tattoo was 666 in binary ‘6’s (i.e. 1 0 11 0 11 0 1 Sort of like a UPC code), but this doesn’t mean that every tattoo is a Mark of the Beast.

People have stated that the credit card and the computer were tools of the Devil.

So what? Everybody depends on both today, even if the Anti-Christ is to use the computer to control the population, it doesn’t mean that if you use a computer, you’re a follower of the Devil.

I believe that religion, when improperly used, is a dangerous thing. Christianity has wasted a lot of valuable time trying to influence people in believing that unimport­ant things are evil instead of spreading the word of GOD. Christianity (or those prideful, arrogant, self righteous leaders) has looked down on tattooing far too long.

A temporary alternative?

A)      For those who might not be ready for the plunge, but are seriously considering what it would look/feel like to have a tattoo we recommend this.

“This process was used in _Cape Fear_ on Robert de Niro, _Once Were Warriors_, and currently on Sean Penn at the end of _Dead Man Walking_. Also see Bruce Willis’ Head in _The 12 Monkeys_. It was invented by Dr. S. Zuckerman for the film _Tattoo_ (Bruce Dern/Maude Adams in 1981.

“Often we are asked to create at temporary tattoo for someone who wants to ‘test drive a tattoo,’ so they can decide on position, color, before deciding what and where.

“Temptu primarily develops semi-permanent body art. Current interests include working on a ‘safe’ and legal line of tattoo inks, airbrush body art, and Indian Me- handi (henna). I work closely with the New York Body Archive, a strange and won­derful place!”

Roy adds one of comment: “I’m frequently asked about the six-month tattoo you mention in FAQ. East Coast people say it’s available in California. But this is bullsht. No such animal!”

B)      For some, the easiest thing to do is to simply draw on the skin with a non-toxic marker. In fact, many people who already have tattoos do this to figure out place­ment and design. If you want it to wash off right away, use something temporary. Crayola’s washable markers work well. I you wanna see if you can live with a de­sign for a couple of days, try a permanent marker such as the Sharpies. They come in basic colors.

C)     MEHENDI: In some countries such as India, brides are covered from head to toe with intricate bridalwear (including the face). To try to show off as much of what skin they can show, they paint their hands and forearms with something called henna. Henna, when applied correctly, stains the skin and can last several weeks. Mehendi has become popular with the mainstream, with a number of mehendi tat­too shops cropping up in some cities such as Berkeley and Los Angeles.

Part of the process of getting a tattoo is coming to terms with its permanency. It’s like losing your virginity. You lose it once, and you can’t get it back. You can neck and make out, but it’s not intercourse. If you’re afraid of losing your virginity, you have to come to terms with THAT before you can have sex.

But once you lose your virginity, you forget all about how you feared its loss, and simply enjoy having sex! :)

Several professional tattoo artists replied with a very strong *NO*. There is no way to be able to prevent the needles from entering the second layer of skin (the der­mis), where tattoo inks normally go. Further, even if the tattoo machine only enters the top layer of skin (the epidermis), you will end up with too much scarring that the tattoo will never really go away.

Considering the time, cost and pain factors, this is not an option--and no profes­sional tattoo artist will want to experiment on you.

The decision process -- making the big plunge: whee can i            find a good      artist, and

what should i look for in tattoo artist?

The bane of the tattoo world is the shadowy, unprofessional person         called the

“scratcher.” A scratcher is somebody who:

--Does not have the proper training in either tattoo art or of running a professional operation;

--Does not know and/or care to use responsible sterilization methods;

--Promises to provide tattooing services for an incredibly low fee, for free, or in exchange for drugs (ack!);

--Chooses not to apprentice through a legitimate tattoo shop because of one excuse or another (but lacks the knowledge one needs to work in or run a professional shop);

--Will hurt you because they don’t know what they’re doing;

--Will give you a permanent tattoo you will regret for the rest of your life;

--You should stay away with a ten-foot pole.

Never, never, never get work from a scratcher unless you are willing to accept all the hazards listed above.

Of those in a study by Clinton Sanders who regretted their tattoos, more than two- thirds of them regretted their tattoo because of poor quality!

Looking for an artist can be as easy as checking the Yellow Pages, or as complex as checking references, magazine photos. There are a number of ways to find good artists, including (but certainly not limited to):

--Perusing tattoo magazines. While not all tattoo magazines are of the National Geographic quality, the photos will speak for themselves. Some issues highlight spe­cific artists’ works; a good way see the type of work someone does. Use the photos in the magazines to compare with those of the artist you are interested in. These magazines have done a lot to show what is *possible*.

Some things to look for in magazines:

-Style (realistic, black & grey work, tribal, etc.)

-Placement on your body -Ideas for images -Size in proportion to your body -Artists whose work you like.

--Attending a tattoo convention. Read the FAQ section on tattoo conventions for more information. You can approach this one of two ways.

You can either go to a shop because someone recommended the artist to you, or you can go in cold. For obvious reasons, you will have a little more information with you if you already know something about the artist. This may make you feel more at ease when going into a shop for the first time.

Bodyart enthusiast Dr. Kai Kristensen , a pathologist and a recently retired lab direc­tor of an internationally prestigious medical center in La Jolla (California), says the most important aspects of a good result are to:

o  Choose an experienced, knowledgeable performer who knows about sterilization and avoidance of infection.

o  Avoid infection during the healing process.

With both of those bases covered, healing of either should be non-eventful and the desired appearance should be guaranteed.

What images do you think of when you think of a tattoo?

Do you think of anchors, of roses or of skulls? While these traditional images are still available, you will be pleasantly surprised at the variety you will find today.

There are two basic types of tattoos: Flash, and custom. As you can imagine, “cus­tom” means you have a design you like that you take in with you. “Flash” is the stock designs you see on the walls of the shop.

The main thing to remember is that you’re not required to choose from the selec­tion of flash in a shop--You’re NOT limited to just an anchor, a rose or a skull. Re­member however, that these smaller pieces of pre-priced flash are the bread & but­ter of many shops, since they are proportionately expensive ($75 for 20 minutes’ work, for example where an artist might charge $100 an hour for custom work). Also, the number of customers who lay out the big bucks for large, elaborate cus­tom pieces is too small to keep a regular shop in business.

A few of the major styles of tattooing:

BIO-MECHANICAL: A style popularized by illustrator H.R. Giger, who designed the creature from the _Alien_ movies. Bio-mechanical work usually involves an ana­tomical flesh intertwined with some technical drawings of machines. A close relative of this style involves just the biological look of flesh without the mechanical parts. BLACK & GREY: Refers to the colors used, this style requires the artist to have ad­vanced shading techniques for subtlety.

Celtic: Beautiful, intricate knotwork of the Celts (a hard “k”, NOT a soft “c” like the basketball team). These are much harder for artists to do, and is best done by some­one who specializes in it. Also usually done in just black ink.

Oriental: Big, bold pieces of Oriental images (carp, clouds, dragons, etc.) based on the Ukiyo-e woodblock prints of 18th Century Edo-period Japan.

Note: It is fine to call this “Oriental” and not “Asian,” because it references an ob­ject and not a person.

PORTRAIT: Images taken from photos, best done by someone who can render real­istic photographic images. Usually done in black and grey ink.

Sailor Jerry: Traditional sailor tattoo style made famous by Jerry Collins in Hono­lulu. Tribal: Usually bold simple lines, simple patterns. Almost always done with just black ink.

With a good artist working for you, you can get practically any image you’d like. Accomplished artists can render portraits, wildlife, psychedelic and biomechanical styles with impressive results. Your main challenge is to find the artist who can best do the design YOU want.

What kind of colors can i get?

Concerned that you’ll end up with a greenish tattoo with little bits of red or yel­low? Worry no more! Today’s inks run the entire gamut--and it would not be terri­bly sarcastic to take a Pantone color chart with you!

Most tattoo inks are metal salt-based pigments that are not made specifically to be used under the skin, and have not been approved by the FDA for this purpose. The idea is that for most people, these pigments are inert and cause no problems. Some people have been known to have allergic reactions; any reputable artist should be willing to provide you with a small “patch test” of the colors you desire. This is required in the state of Arkansas.

Tattooist Uncle Bud Yates (Pikes Peak Tattooing) says some artists use acrylic-based pigments, which he feels may be more troublesome than the metal-based pigments for some with sensitive skin. Best to ask your artist first.

How to look around in the shop?

Don’t let the shop intimidate you when you first walk in. For the uninked, a tattoo shop is intimidating enough. Strange smells, strange sounds. Some shops even try to look intimidating to create a tough-guy feel. Just keep in mind that you’re a poten­tial customer. Consider it window shopping.

The first thing you should do is to take a minute to look around. Chances are, you’ll encounter some flash (stock illustrations) stapled on the walls. These will most likely lean toward the traditional. Skull and crossbones, roses and the like.

You might also see some signs (“No minors; we ID,” “We have sanitary conditions” etc.). These signs will also be indicators of the personality of the shop owner. If the signs seem overly intimidating, patronizing or snobbish, they can be tip-offs of the shop’s attitude. Some are very friendly, with plants, aquarium fish, and signs like “Tattooed people come in all colors.”

Note: There is no national law regarding the legal age for tattooing. Check with the shop to find out what the local statute regulates.

Asking to see their portofolio

Do NOT be impressed by the flash on the wall. These illustrations are usually pur­chased from other artists and do not represent the work of your artist. Frankly, any­one with some experience can easily trace the outlines of these illustrations and fill in the colors. What you really need to look at is a book that contains a collection of photos of the artist’s work. Go to the counter and ask to see one. If they tell you they don’t have one, walk out immediately. You’re visiting the shop to commission a piece of art to be permanently illustrated on your skin; for the artist to tell you s/he doesn’t have samples in a portfolio is insulting.

What to look for in their portofolio?

When you do look in their portfolio, there are a few things to keep in mind. Do you see any photos of pieces that you recognize in the flash (on the wall, or in a flash book)? If so, how is it rendered in tattoo format? Before anything else, check to see that the lines are clean. Are they well-defined? Straight where they should be; not shaky or blurry? Are the borders all uniform in width? Do the colors seem true? Are they bright? Proportionately correct?

Look at the people in the book. This can be an indicator of the clientele in the shop (besides looking at the ambiance of the shop). Is there a fair mix of women and men in the book? Are they all sporting “biker” tats, or any one particular genre/ style?

Again, keep in mind that anyone can stencil an outline of an illustration onto your skin. The skill in the artistry comes in the shading, use of colors and other subtle things that set an artist apart from a simple tattooist.

Do you see anything in the portfolio that is not in the flash? These are the custom pieces that the artists have done, and they should be their crowning glory. How do they look? Do you like what you see? If there is more than one artist working in the shop, and you see some photos you like, make sure to find out which artist did the work.

What kind of questions to ask?

Whenever you ask to see their collection of photos, the person in the shop will hopefully immediately recognize you as someone who knows a little more about tattoos--at least enough not to be satisfied by looking at just the flash. If the shop is not too busy or if the artist is not in the middle of working, they might stand on the other side of the counter to have a conversation with you. This is a wonderful opportunity to ask questions of the artist.

Some reasonable questions to ask in your conversation that shouldn’t take too much time for the artist to answer:

What is their favorite style?

If what *you* are looking to get done happens to be their specialty you are in luck; be it tribal, wildlife or whatever.

Is there any one particular subject they like to do?

One artist, without hesitation, told me his favorite was skulls. I would’ve jumped for joy had that been what I wanted.

How long has the shop been here?

This may be an indicator of the stability of their business. The tat industry in itself fluctuates, but continuity implies business acumen, responsible practices and that they are not a fly-by-night operation.

How long have they been at the shop?

The shop may have been there for 20 years, but the artist may only have been there for a couple of months. If they have been there for what you consider a short period, ask them where they were before.

How long have they been tattooing?

It might not matter so much that the artist has only been there for a short while, if they’ve been tattooing for several years. They might come from various back- grounds--anywhere from working on friends to having a fine arts degree. This type of information will give you more insight into the artist’s attitude as well as apti­tude.

Do they get to do much custom work?

This may depend on where the shop is located, but it also depends on how good of an artist they are, and whether they have their own style for which they are known for.

Do they use apprentices at the shop?

It is often difficult for new artists to break into the business, and an apprenticeship is often a very good way to learn not only about tattooing itself, but also about the day-to-day operation of a small business. For artists to take apprenticeships means they’re interested in expanding the artform, in giving a new person a break (so to speak) and feeling confident enough about their own skills that they feel they can offer some insight and experience for the new person. This again goes back to the attitude of the artist and the shop.

Don’t let the looks of the artist intimidate you. Tattoo artists usually have a lot of tattoos themselves. In fact, I would be somewhat leery of an artist who has *NO* tattoos at all. The main thing is that you need to talk with them and get a feel for what they are like. As you talk with the artist and build a rapport, if you feel com­fortable you may want to broach the subject of what you’re interested in getting done. Bounce your idea off with the artist and see what they are willing to help you with.

Remember however, that the artist is running a professional business! Be polite-- don’t linger and overspend your welcome if you don’t plan on getting any work done at all. Note: Don’t base your decision according to what tattoos you see on the artist--they were not done by that person!

What sorts of things to look for in shop

Looking critically at the shop is as important as choosing your artist. Make sure the place is very clean, make sure the artist uses disposable, single-use needles (that are not re-used after one client), and uses an autoclave for all other equipment. Don’t be afraid to ask them, either. A legitimate artist will be glad to show you.

What does the shop look like? What is its ambiance? Does it look like a barber shop, a hair salon, dental office or an art gallery? If you are a nonsmoker, will ciga­rette smoke bother you? Look for used ashtrays as signs. Do the work areas offer you any privacy? Do they use shower curtains, private booths or shoulder-high room dividers?

Try to go and visit and then come back another day. Don’t feel pressured into hav­ing to get one right then and there. Try and talk to some people that have experi­ence with the artist (and not the groupies that you’ll find hanging around the shop). You should feel comfortable with the artist and you should like him/her. If you don’t, then don’t get a tattoo.

Make sure the artist is willing to listen to you and respects what you want. Don’t go to an artist that has an agenda of what he/she wants to do. The artist may make suggestions, but the final word is always yours.

Finally, make sure you take their business card with you. If the artist you talk to does not have his/her own card, jot down the name on the back, and perhaps some notes to yourself about the shop and the artist.

R-E-S-P-E-C-T: What to ask from artists?

It has been brought to my attention that some tattooists have an attitude problem when it comes to potential customers. Tattooists (and piercers!) need to realize that not every person who walks in has to look like a grunged-out leather-wearing biker, or a raven-haired cleopatra-eyed septum-pierced zombie. People from all walks of life may be interested in bodyart.

A potential customer should *NOT* be made to feel out-of-place or ashamed for walking in wearing a business suit, or an LL Bean dress. It is amazing to think that someone with purple hair and eyebrow rings could actually discriminate against someone, but apparently, this seems to be happening.

Just as a customer should expect certain sanitation standards, they should also ex­pect an inviting atmosphere.

Re tattoo shops insured?

Most reputable tattoo shops are insured. The problem is, they’re usually insured against premises liability. This means that they have insurance coverage if you fall and hit your head on their floor, but *NOT* if you’re unhappy with their work. In the past, the only insurer who would cover the latter was Lloyd’s of London, and their rates were apparently very high.

I personally recommend a tip for any work which you are pleased with, or any cus­tom work where the artist spent time drawing up your illustration (since drawing time is usually not included in your price). Nothing brightens up a day for the artist, or helps to build a friendly relationship with your artist more than a generous tip.

If you’re very happy with the artist and you think you might get more work from them later, TIP!!

There have been heated discussions on rec.arts.bodyart in the past regarding the appropriateness of tipping a shop OWNER. If you feel that an owner does not de­serve a tip on top of the price s/he charges you, then A) do not give a tip at all, or

B)     bring some sort of offering, be it food, flowers or whatever.

Many tattoo artists have told me that the BEST TIP is good word of mouth. If you are happy with your tattoo, show it off to your friends and tell them where you got it done!

How should i act when i get in that chair?

Once you have settled on a design and a price that you and your artist agree on, the work will either begin right then, or you will be asked to come back for a later appointment (e.g. if the artist has another client coming in in 15 minutes).

Once you’re in that chair, what can you expect? Most likely, the artist will begin the long process of preparing for your work. This is especially true if the artist is going to do a custom design that you brought in. First, the design will have to be worked on. Most artists will play around with the design on paper first, although some art­ists will do it freehand. “Freehand” means the artist takes an ink pen to hand and begins drawing a design on your skin without the use of a stencil (NOT where the artist begins work with the tattooing machine immediately--the artist, no matter how good, still needs to envision how the work will look on your skin--proportion, placement, etc.).

When you and the artist are happy with the design, the artist might outline the design with a piece of carbon paper, or use an old-fashioned copy machine to get a working copy of it. This would be when the artist would properly size the design. The artist will then clean your skin where the work will be done (probably an alco­hol or antiseptic rub), and will swipe your skin with an “adhesive,” which is usually Speed Stick deodorant (for some reason *I* haven’t seen any other brands). The artist will then put the carbon side of the design directly on your skin. When the pa­per is lifted, ta-da! A carbon line drawing of the design should appear on your skin!

The artist will probably let you look in a mirror to make sure you are happy with the design and the placement. Once this is agreed upon, the artist will then begin putting the supplies out.

At this point, your artist should be doing things like dispensing various colors of ink into little disposable wells, and rigging a new set of needles into the tattoo ma­chine. At this time, you will probably try to look cool by looking around the studio walls or occasionally looking to see what your artist is doing. Your artist might have a radio playing, which will help distract you a little.

At this point, it is best for you to try and relax. You can ask the artists about some things, like the colors of the ink. Depending on the work you are getting, the artist will need to mix some colors, for example. You’re probably somewhat nervous, but excited at the same time because you’re actually gonna get a real tattoo! Whether you realize it or not, your body is going through quite an adrenalin rush. Try to remain calm and not too anxious. Your hyped-up condition and your anxiety about the anticipated pain of your experience by themselves may trigger a fainting spell.

It will help if you are not there on an empty stomach. Get a bite to eat about an hour or two before you go in for your session. Having hard candy or some juice on hand during the session is also recommended.

Just relax and try to stay calm. For women, the experience of anxious anticipation is similar to a pelvic exam at an OB/GYN, where you are more nervous about it while waiting for the doctor as you lie prone on the examining table, feet in the stirrups. Just as most exams aren’t painful or really all that bad, neither is tattooing.

Bzzzzzttttt....The artist starts up the machine, dips the needle into the ink and starts to work toward your skin! Aaaaaahhhhh!!! Will it hurt? Will it hurt? Grit your teeth! Hang tight!...

Ooohhhhhhh! It *does* hurt! Ow! Ow! Ow! I’m okay, I’m okay, this is fine, it’s not that bad. I can grit my teeth. Grit, grit, grit. Try to smile a bit. My teeth are grit­ting, anyway. Oh, I hope this pain doesn’t stay like this!! Breathe. Don’t forget to breathe. Relax. Relax. Relax. Okay there, that’s better. Not so painful. I can handle it. Yeah--look at all the tattoos HE’s got on his arms. I can handle it, too. Yeah.

...The most painful part of the process will pass in a couple of minutes, after which the area will feel abuzz with electricity and warmth. Just try to relax and breathe deeply--enjoy the one-of-a-kind experience that you’re feeling. Oftentimes, you end up clenching your jaws, grinding your teeth or grasping the chair with your white- knuckled hands. But once you pass the first couple of minutes, you’ll feel silly for having worried about it so much.

If you still feel uncomfortable after a few minutes, it may be because you’re sitting in an uncomfortable position. See if you can get into a more comfortable, reclining position--but make sure to ask the artist first before you try to move.

Some people try to distract themselves by trying to talk with the artist. This is kind of like with hair stylists--some stylists just love to gab and gab (just ask them an open-ended question), while some stylists would rather concentrate and not screw up your hairdo. Same with tattoo artists. While some will like to “talk story” with you, others would rather concentrate on the work you’re paying them to do. After all, their job, income, and reputation are on the line when they have the tattooing machine to your skin. Often, they’ll talk during easy parts, and less during complex work. Just go with the flow and not worry about it.

The only thing I don’t particularly prefer is if there’s a lot of traffic walking around in the studio and the artist has to keep talking to them (either potential clients or tattoo groupies). For this reason, a cubicle or dividing partition is a nice option for privacy.

Most people can sit through over an hour of work, but if you get uncomfortable, just ask your artist if you can take a break. If you feel woozy, you might consider bringing some candy with you to give you a little lift, or some water to drink.

Where on my body should i get a tattoo?

This may seem VERY trivial, since the answer can be “anywhere you please!” The ONLY places you cannot technically get permanent tattoos are your hair, teeth and nails (even the cornea used to be tattooed years ago for medical purposes). Inter­estingly, women and men tend to get tattoos in different locations. This, according to sociologist Clinton Sanders, is because men and women get tattoos for different reasons. Men, he says, get them to show others, while women get them for the sake of decorating their body--and often place them where they can’t normally be seen, so that it doesn’t prompt comments about her “reputation.” However for the sake of this FAQ, the following is a short list of areas to get inked. I am included the statistics from Clinton Sanders’ study on the body location of the first tattoo for men and women as well (there were 111 men in his survey group and 52 women).

Head:

The “head” here refers mostly to the area where your hair grows. You’ll need to shave the area for the tat to be most visible. If you need to hide your tat, you can grow your hair out. Areas more commonly inked are the sides of the head (above the ears), and above the nape of the neck in the back. There are people who have their entire heads inked. I am told that the tattooing process vibrates your skull!

Sides of neck (nape).

Back of neck: I’ve seen some tribal pieces, and bats done on the back of the neck. You’ll need to keep your hair short or tied up to keep it visible.

Face:

Various areas possible. Facial tattoos could fall into the cosmetic or standard cat­egories. Cosmetic would include darkening of eyebrows, eyelining, liplining, etc. Getting a tat on the face is serious business and crosses a portal because people will never look at you the same way.

Upper chest:

One of the standard areas for tattoos for both men and women. Allows lots of flat area in which to get a fairly large piece. One of the areas where you can choose to get symmetrically inked on both sides. (Men: 5%, women: 35%--chest & breast combined)

Breasts (women):

Used to be trendy to get a tiny tat on the breast. Women (particularly larger breast­ed ones) need to be careful about eventual sagging of the skin in the area. Don’t get a tat that will look silly when it starts to stretch (like a round smiley face that’ll turn into an oblong frown).

Nipples:

Usually the artist leaves the nipples alone--the omission of ink tends not to be so noticeable. There HAS been work done with tattooing a facsimile of a nipple onto a breast in reconstructive surgery for those who have lost their nipples, tho--for aes­thetic and self-esteem purposes.

Rib cage:

Can be rather painful because of all the ribs you work over. However it offers a fairly large area, and can be incorporated into a major back piece, wrapping around toward the front.

Stomach/Abdomen:

Some people choose not to get work done on their stomachs for a couple of rea­sons. Area is difficult to work on because there’s no solid backing to hold the skin down. It is a sensitive area that may feel uncomfortable. The tat may look horrible after your metabolism slows down and you develop a - er-- “beer gut.” (Men: Less than 5%, women: 14% )

Genitals:

Yes, some people do get inked in their genital area. The idea may sound very painful, but it’s really not all that bad. However, do consider that, due the to the stretchiness of the skin and the amount of movement the area experiences, it’s not really possible to do anything with a lot of fine detail. And no, the penis does not have to be erect during tattooing, although a tattoo artist I know who has done several penis tattoos said that he did have one customer who had a full erection the whole time. The only female genital tattoo I’ve seen (inner labia, I think) was in _Modern Primitives_, and it looked rather blurry. Note: Some artists refuse to do genitals. (Men: 0%; women: 5 %)

Thighs/hips:

A popular area for women to get larger pieces (often extending from the hip area). Shows well with a bathing suit but easily concealable in modest shorts. The entire area of skin around your thighs is bigger than your back, so you can get quite a bit of work done. (Men: 3%; women: 10%)

Calves:

Nice area to get a standard size (2” x 2”). However if you have very hairy legs, it may cut down on the visibility somewhat. (Men: 7%; women: 8%. Category sim­ply listed as leg/foot)

Ankles:

Currently trendy. I think you have to have an ankle tat before you can go to the Eileen Ford Agency with your modeling portfolio. :) You can either get a spot piece on the inner or outer ankle, or get something that goes around in a band. Vines and other vegetation seem popular (pumpkins, anyone?)

Feet:

I’ve seen some incredible footwork (pun intended) in some of the tat magazines. Concealable with shoes. Probably don’t have as much wear and tear as hands so you might get less blurring and color loss. This however, is the TOPS of your feet. You will have trouble retaining a tattoo on the bottom of your feet.

Armpits:

Usually reserved for those who want to get full coverage around the arm and chest area, & need the armpits filled. Probably not strongly recommended for the highly ticklish.

Inner arms:

A more unusual location than the outer upper arm area, this area is often not easily visible. Be careful if your genes are prone to “bat wing” flab, however.

Forearms:

Popeye sported his anchor on his forearm. Probably not as popular as the upper arm but common just the same. You can have your upper arm “sleeve” extend down for a full sleeve. For an example, check out the heavy metal veejay on MTV (who has a nose pierce, BTW).

Wrists:

Janis Joplin had a dainty tat on her wrist...easily concealable with a watch.

Hands (fingers and palms):

Some artists don’t do hands because the ink will have a tendency to blur or fade easily. Consider that you probably move your hands the most out of your entire body. A friend of mine had a multi-colored tat on his finger by Ed Hardy (who cringed upon hearing about where my friend wanted it), that is only several years old and is now barely noticeable. Some people want to substitute their wedding bands with tat bands. Your palm doesn’t retain ink well--if you can find an artist who will do it, you can expect it to be a rather basic line, and that it will not last too long. Perhaps just matching tats someplace else would be okay?

Shoulder blades:

The back shoulder blade area is another popular spot for women, who can show off the work with a bathing suit or tank top, but cover it up with regular clothes. If this is the case, be particularly careful with sun because you’re not gonna be wear­ing that unless it’s warm & sunny. It’s a “safe” place--but may get in the way if you decide to commit yourself to a large back piece. (Men: 15%, women: 15%. Catego­ry listed as backs/shoulder)

Back:

You can get any part of your back done, or find yourself an artist you really like, and save your money for a “back piece” that encompasses your entire back. Expect to pay several thousand dollars for a full back piece (not to mention many tat ses­sions).